Zelmira, a work of 1822, was the last of the eight operas Rossini composed for the Teatro San Carlo in Naples, then the largest opera house in Italy—perhaps in Europe.
Iestyn Davies’s theatrical blandness combined with his vocal unsuitability for the role left a hole at the center of Rinaldo.
The beautiful singing here is less in the sound than in the way the voice moves.
Which operatic character could be best described as a spider?
Jules Massenet’s Don Quichotte was one of a number of commissions from the Monte Carlo Opera that occupied the composer at the end of his life.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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