Truly, I think it would be almost impossible to overpraise Anna Magnani in a performance that’s absolutely riveting from start to finish
One of the greatest pleasures of our continuing Katharine Hepburn series for me has been rediscovering how marvelous she can be.
Shirley Booth‘s Amanda reminds us again of her astonishing range, and truly unique (yes, a word I hate, but I mean it here) ability to mix heartbreak and humor in the same breath.
A theater-critic friend of my father once said that Laurence Olivier played American like it was a character choice.
Dolly definitely did not have me at Hello!
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