Violent delights Violent delights

Some people were introduced to the art form listening to the Met’s NBC broadcasts on a glowing tube radio or watching acid-trip animated adaptations on the BBC or seeing Elmer Fudd sing, “Kill the Wabbit.” I came to opera through simulated drive-by shootings soundtracked by The Marriage of Figaro. 

Thoughts on <em>La Forza del destino</em>: recordings Thoughts on <em>La Forza del destino</em>: recordings

As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.

Bonisolli: the early years Bonisolli: the early years

Franco Bonisolli from age 28 to 33 in complete operas by Mozart, Cimarosa, Donizetti and Massenet.

Sacred raptures cheer my breast Sacred raptures cheer my breast

The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master:  Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.

Act two Act two

Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.

Old-Fashioned Oratorio Old-Fashioned Oratorio

For the fourth annual edition of “Handel for my birthday” Trove Thursday serves up three heaping portions of “old-fashioned oratorio.”

It happened one knight It happened one knight

Falstaff, Verdi’s totally unexpected, final, great comedic roar.

Bridging the Channel

It’s kind of shocking, when you really think about it, that the kind of international operatic model that the Royal Opera now operates on barely existed only 50 years ago. Until around 1960 most of the performances at the Covent Garden were given in English and the casting choices were enough to make the Vicar…

Been there, did it

The word traditional, when used to describe opera productions can imply a certain setting, costuming, stage action, or even overall dramatic conception (or lack thereof).  Tradition at its best can provide a straightforward backdrop for the genius of a work to unfold, and at its worst weigh an opera down with outdated and vapid conventions.…

Vintage

Sometime in the late 1950s, the management at Glyndebourne had the good idea to make archival recordings of the performances there, and these recordings, duly remastered and transferred to digital form, are gradually coming before the public through Glyndebourne’s house label. Thus it is that we find ourselves with this early release, a recording of…

Paisiello per carita!

It is always a relief when one comes across a wonderful creation, a new existence, a rediscovery. One feels regret for not knowing it before, but alas, the joy overflows. The fear of unknown, the fear of leaving the comfort zone always ends up with enlightenment and embracing the new known. In this case, is…

we’ll always have paris

The legendary “Tokyo Traviata,” one of the most often pirated opera videos, has finally been released in an authorized version by VAI. Featuring the golden-age cast of Renata Scotto, Jose Carreras and Sesto Bruscantini, the DVD boasts beautifully restored video and broadcast-quality audio — by far the cleanest version of this telecast La Cieca has…