Play well
Kurt Weill and Maxwell Anderson’s 1949 musicalization of Alan Paton’s Cry, the Beloved Country has found a tentative home on the opera stage.
3 pieces since 2011 — in 2 roles, at 3 companies, most often at Santa Fe Opera.
Kurt Weill and Maxwell Anderson’s 1949 musicalization of Alan Paton’s Cry, the Beloved Country has found a tentative home on the opera stage.
A stark, sweltering performance of Lady Macbeth of Mtsensk shocks the Komische Oper Berlin.
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