3 pieces since 2013 — in 3 roles, at 1 company, most often at Concerto Köln.
1 piece as Sieglinde — stats above show all coverage for Sarah Wegener.
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Unlike more surface-level historically informed practice which has become the norm in early music ensembles, this project stands out in its surprisingly deep engagements with the ethical and practical challenges posed by “recreating” Wagner’s sound.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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