Decidedly un-HIP
Chris’s Cache celebrates Ewa Podles‘s long connection with Handel by featuring her in three complete, decidedly un-HIP operas spanning over twenty years
79 pieces since 2006 — in 24 roles, at 8 companies, most often at Metropolitan Opera.
11 pieces as Metropolitan Opera — stats above show all coverage for Samuel Ramey.
View allChris’s Cache celebrates Ewa Podles‘s long connection with Handel by featuring her in three complete, decidedly un-HIP operas spanning over twenty years
On this day in 2017, Clémentine Margaine made her Metropolitan Opera debut as Carmen.
On this day in 2008 the Metropolitan Opera presented a gala new production of Puccini’s La rondine.
Saturday marks the centenary of Julius Rudel’s birth which Trove Thursday celebrates with Le Coq d’or, Faust and Ariodante, a triple-bill showcasing his impressive versatility, featuring Beverly Sills and Norman Treigle, two of the most important artists he nurtured during his leadership of the New York City Opera.
“Trove Thursday” keeps the evil deeds going this All Saints’s Day with a vintage La Scala broadcast of Arrigo Boito’s only completed opera Mefistofele.
As a diehard completist I felt guilty as the Met’s scattered, campy revival of Semiramide lumbered toward its abrupt conclusion after nearly four hours.
With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year.
In what may qualify as the most unholy alliance of Peter Gelb‘s tenure at the Met so far, since February the “Live in HD” performances from 2009 of both Turandot and Aida issued by Decca have been available from… Target. Only Target. They are scheduled for international release this July. Up until recently there has […]
James Levine: Celebrating 40 Years at the Met includes not only unreleased video performances on DVD but also live radio broadcasts on CD. This performance is one of the latter, originally heard April 19, 2003. The Rake’s Progress has one of the greatest operatic pedigrees of all time. It was inspired by a series of […]
The Met’s premiere production of Verdi’s Attila is terrible. Are you surprised? Attila is like a self-conscious stroll down Rodeo Drive – or even worse, to the Mall of America – reducing an opera about ruthless tyranny brought down by ruthless vengeance to a quaint and insipid fashion show.
First things first: how are the clothes? Well, there’s enough leather to fill The Eagle ten times over, and there’s definitely fodder for intermission conversation: an adorable tweedy, puffy coat for Uldino; the pimped-out spiky bike helmet with the L.E.D. lights for Attila; all the L.E.D. lights in fact, like the ones that outline Ezio’s […]
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