Hoping for a “Tristan for the ages” in New York next month, John Danaher considers five versions of Tristan’s Act III “Muss ich dich so verstehn” for “Perspectives on an Aria.”
Imagine my surprise then when I discovered a new recording of Tristan und Isolde released by Navona Records, a small label based in New Hampshire that primarily focuses on recitals of chamber music, solo works, and smaller ensemble pieces.
Sunday, August 26, marked the inaugural performance for the newly-created The Claude Heater Foundation with a concert performance of Wagner’s Tristan und Isolde in the Herbst Theatre.
Jonas Kaufmann announced that he feels ready to return to the stage after calling in sick since last autumn
Doubling down on its artistic mission, New York City Opera begins a tenuous season with a turgid Bible drama.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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