Dancer in the dark
Patrice Chéreau‘s Elektra brims with ideas beyond its eschewing of the opera’s standard, hysterical trappings.
7 pieces since 2011 — in 6 roles, at 4 companies, most often at Teatro La Fenice.
1 piece as Aegisthus — stats above show all coverage for Roberto Saccà.
View allPatrice Chéreau‘s Elektra brims with ideas beyond its eschewing of the opera’s standard, hysterical trappings.
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