On the party platform
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
15 pieces since 2010 — in 11 roles, at 9 companies, most often at San Francisco Opera.
1 piece as Rocco — stats above show all coverage for Raymond Aceto.
View allDon’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
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