Baritone Quinn Kelsey’s recital of English-language art songs in partnership with pianist Craig Ketter was a worthy celebration of Vocal Arts DC’s 35th-anniversary season.
A brief concert at the Frick Collection teases the multifaceted artistry of Davóne Tines
Target Margin Theater proudly boasts that Show/Boat: A River, its small-scale and bare-bones staging of Show Boat (at the Skirball Center on Washington Square through the 26th), is a “bold reimagining” of the classic Jerome Kern & Oscar Hammerstein show, a “new adaptation that explores America’s transformation from the Jim Crow 1880s to the Chicago of the Great Migration to the challenges of today,” but I don’t see it.
Mixing the historical with the personal in strikingly original ways, Davóne Tines and Zack Winokur’s Robeson sent sparks out over the Hudson.
If you are of the belief that Show Boat can stand on its own as a classic score and thus doesn’t need the trappings of musical production, you’ll love the New York Philharmonic’s “semi-staged” production.
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