Garden varieties
Those of us in New York City who relish 17th century Italian vocal music were offered an enticing banquet over the past few weeks.
12 pieces since 2011 — at 1 company, most often at Boston Early Music Festival.
6 pieces as Boston Early Music Festival — stats above show all coverage for Paul O'Dette.
View allThose of us in New York City who relish 17th century Italian vocal music were offered an enticing banquet over the past few weeks.
Over the past week New York City was blessed by two appealing 17th century presentations: John Blow’s Venus and Adonis from Opera Lafayette and La Storia di Orfeo courtesy of the Boston Early Music Festival.
In the triumphant American premiere of Orlando Generoso at the Boston Early Music Festival last week, the hippogriff was among the many stars of the show.
Who needs sets and costumes anyway?
For one week every two years since 1981 the eyes—and ears—of those interested in period performance turn to the Boston Early Music Festival, particularly to its opera centerpiece, but that organization doesn’t rest on its laurels in between festivals.
Handel’s first surviving musical composition is Almira, the opera he wrote in a hurry when shake-ups at the Hamburg opera house, where the 19-year-old had been playing in the violin section, left a planned production unfinished.
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