Happy ending
This week Trove Thursday endeavors to broaden his exposure with a bubbly performance of Il Marito Disperato starring Sylvia Geszty.
20 pieces since 2010 — in 8 roles, at 4 companies, most often at Teatro La Fenice.
This week Trove Thursday endeavors to broaden his exposure with a bubbly performance of Il Marito Disperato starring Sylvia Geszty.
Trove Thursday marks Mozart’s 264th birthday on Sunday with the 14-year-old’s remarkable opera seria Mitridate, Re di Ponto .
The Teatro di San Carlo in Naples is a pearl itself and this presentation proffers some of the best that company has to offer.
It is quite unusual to stage a new indoor production in the middle of summer in Italy when so many outdoor venues are open, but general manager of La Scala Stéphane Lissner – who will leave next year – decided to close the first half of this Verdi-Wagner year with a beloved hit of il cigno di Busseto.
As if last week’s survey wasn’t enough, a few more recent diva-recital disks remain worthy of attention particularly since they arrive from five front-rank singers.
What we have here is the grandest opera never heard.
The subtitle for Il crociato in Egitto, the last of Meyerbeer’s great Italian operas, is “Historic Melodrama in Two Acts,” and boy is it! A melodrama, I mean. I’m not sure about the historic part.
In Robert Carsen’s 2004 production of La traviata for Teatro La Fenice, the Prelude is staged. During this haunting music, we see Violetta lounging on a huge bed while more than a dozen men pay her for her services with wads of oversized dollar bills. By the time Act One begins, the bed is virtually covered […]
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