The mania event
Christine Goerke‘s puzzling high register has become an increasingly troubling aspect of her singing. One just never knew what was going to come out from one moment to the next.
52 pieces since 2007 — at 3 companies, most often at Metropolitan Opera.
6 pieces as Metropolitan Opera — stats above show all coverage for Patrice Chéreau.
View allChristine Goerke‘s puzzling high register has become an increasingly troubling aspect of her singing. One just never knew what was going to come out from one moment to the next.
I have always wanted to see a production of Strauss’ Elektra that made my ears bleed.
This week, I offer you a classic rendition of Richard Strauss’ tale of the House of Atreus starring Ursula Schröder-Feinen, Astrid Varnay, Leonie Rysanek, Theo Adam, and Hans Hopf under Karl Böhm’s direction.
The haunted Mycenae of Patrice Chéreau’s enthralling production of Richard Strauss’s Elektra had seized its viewers in an unrelenting vise that never relaxed even at its quietly shattering conclusion.
The Met’s premiere production of Verdi’s Attila is terrible. Are you surprised? Attila is like a self-conscious stroll down Rodeo Drive – or even worse, to the Mall of America – reducing an opera about ruthless tyranny brought down by ruthless vengeance to a quaint and insipid fashion show.
The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true.
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