Calixto Bieito‘s production of Idomeneo at La Monnaie is anchored by a committed cast, but gets swept up in pseudo-psychoanalytic imagery — and foot fetishism.
Fine music-making meets a clunker of a production in La Monnaie‘s revival of Norma
Calixto Bieito‘s production of Idomeneo at La Monnaie is anchored by a committed cast, but gets swept up in pseudo-psychoanalytic imagery — and foot fetishism.
Fine music-making meets a clunker of a production in La Monnaie‘s revival of Norma