Side eye and bitch face
At the first intermission at last night’s Met revival of Aida, I turned to my companion and said, “So… what about the Aida? I thought she was supposed to be good.”
24 pieces since 2006 — in 6 roles, at 4 companies, most often at Metropolitan Opera.
At the first intermission at last night’s Met revival of Aida, I turned to my companion and said, “So… what about the Aida? I thought she was supposed to be good.”
La Cieca presents an open letter from a parterre box reader.
Having recovered from today’s five hour dress rehearsal at the Met, La Cieca’s spy Barnaba offers this report: There isn’t much point to doing La Gioconda in this day and age if you haven’t got a cast who can put it over. Wonder of wonders, the Met has dug its ancient (1967) staging out of […]
“Trove Thursday” offers a belated 55th birthday nod to Dmitri Hvorostovsky with a blazing live performance of Rimsky-Korsakov’s The Tsar’s Bride.
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
The diva must be a Diva in Adriana Lecouvreur. Fact.
Longtime friend of the ‘box Little Stevie returns to Adriana Lecouvreur: I have always believed that as with La Gioconda, a great performance of Adriana Lecouvreur needs to serve up “the four greatest singers in the world”, and the Met seems to come close to doing just that. I have attended all of the performances […]
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