All I mask of you
Amore Opera, an old-fashioned, adventurous little company that performs ambitious and sometimes delectably obscure but worthy repertory at the Riverside Theatre, is now (through Sunday) presenting Un ballo in maschera.
10 pieces since 2009 — at 1 company, most often at Amore Opera.
6 pieces as Amore Opera — stats above show all coverage for Nathan Hull.
View allAmore Opera, an old-fashioned, adventurous little company that performs ambitious and sometimes delectably obscure but worthy repertory at the Riverside Theatre, is now (through Sunday) presenting Un ballo in maschera.
In the same season that Manhattan School of Music revived The Gypsy Baron, Riverside Theater around the corner is the site of Amore Opera’s “Season of Gypsy Operas.”
Just when you thought it was safe to return to Rossini and Verdi—blam!
An impresario with a hit on his hands—Emanuel Schikaneder, for instance, after the initial run of Die Zauberflöte—will crave nothing so much as an opportunity to hit the same bell.
At the age of thirty, Donizetti was already the experienced composer of about eighteen operas, both serious and farcical, but as Olivo e Pasquale (currently undergoing its American premiere run at Amore Opera) makes clear, the comic works were no slight matter.
My latest assignment from our doyenne has been to explore two of the many small opera companies pullulating around New York City. Some of these ensembles last l’espace d’un matin, while others have been enjoying a longer, healthier life.
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