An exciting cast digs their claws into a heady production of La Calisto at the Théâtre des Champs Elysées.
Tobias Kratzer‘s Das Rheingold in Munich kicks off a Ring for the post-secular age
Though I’ve sometimes complained that the Paris Opera, while supposedly short of cash, changes its productions nearly as often as the rest of us change our socks, André Engel’s Cunning Little Vixen first appeared there 17 years ago. At the time it was billed as ‘new’, though it actually dates back further still, to 2000 at the Lyon Opera. I saw it when it arrived at the Bastille and wrote it up at the time.
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