Crossing over
Without furnishings to distract them, the cast prowled the stage with sinister energy, exchanging significant looks and deadly secrets as though fearing Nihilists behind every drapery.
4 pieces since 2013 — in 4 roles, at 2 companies, most often at Teatro Grattacielo.
1 piece as Fedora — stats above show all coverage for Michelle Johnson.
View allWithout furnishings to distract them, the cast prowled the stage with sinister energy, exchanging significant looks and deadly secrets as though fearing Nihilists behind every drapery.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.