Tenors gone wild
Among several fine productions at Aix this summer, Dmitri Tcherniakov’s brilliantly conceived and executed Carmen proved a game changer.
6 pieces since 2009 — in 5 roles, at 3 companies, most often at Metropolitan Opera.
Among several fine productions at Aix this summer, Dmitri Tcherniakov’s brilliantly conceived and executed Carmen proved a game changer.
Along with Don Giovanni, Carmen is an odd bird on the list of the most beloved and frequently performed works.
You might be surprised, though, when that title turns out to be Show Boat.
So, I was asking my friends with Met Opera insider connections about the new Hoffmann production directed by Bartlett Sher. Seemingly conceived under an unlucky star, this production first lost two of its four heroines when Anna Netrebko decided not sing Olympia and Giulietta but kept Antonia and also Stella, leaving the dramaturgy somewhat lopsided.
I was extraordinarily happy Monday evening to encounter Angel Blue and Russell Thomas as Mimi and Rodolfo.
He returned. He sang. He didn’t get hanged.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.