Perhaps the greatest souvenir of her art there is.
The Eloquence label of Australia, the down under-arm of Decca and now by extension Deutsche Grammophon, seems to specialize in the re-release of “Auld Lang Syne” treats.
Ms. Guy goes into detail about what made Sills a “magic” performer, recounting reactions of people across an extraordinarily broad socio-economic spectrum who discovered their love of opera and singing through her.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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