Mark Morris

30 pieces since 2009 — at 4 companies, most often at Metropolitan Opera.

30 pieces
4 companies
18 years

Bark, not Bayreuth

Is Der Ring des Nibelungen responsible for the transformation of Seattle from a gray, damp, low-rise Boeing company town where half the jokes had punchlines in Norwegian (and were about lutefisk in any case) into today's booming cultural metropolis? I like to think so.

By 88 comments

Royal Hunt

Les Troyens is one of those things, or often two of those things, that should be a big event or it practically needn’t happen at all.* The keynote is grandiosity in the best way, from the subject to the musical demands (let’s include the implicit challenge of one singer performing both Cassandre and Didon—not because […]

By 30 comments

Hun more for the road

La Cieca has the first top-secret highly classified eyes-only report from inside the hermetically sealed Attila dress rehearsal at the Met.  Our spy  (possibly pictured above) speaks out —  after the jump, naturally. 

By 71 comments

happy spirit

All the way from exotic Portland, Operaman writes: Yesterday I attended the Met HD transmission of Orfeo ed Euridice and, once I have told you my reactions and feelings about this show, I cannot wait to hear what members of your cher public who saw or heard it have to say about it. And I […]

By 95 comments

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