Whiskey tango foxtrot
I really cannot exaggerate the extent to which I truly did not know what was going on in New York City Opera’s production of Maria de Buenos Aires.
3 pieces since 2013 — in 2 roles, at 2 companies, most often at New York City Opera.
2 pieces as El Payador — stats above show all coverage for Marcelo Guzzo.
View allI really cannot exaggerate the extent to which I truly did not know what was going on in New York City Opera’s production of Maria de Buenos Aires.
It has always puzzled me—and I’m not the only one—that so few successful operas have been composed in Spanish.
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