Two experimental new works from thingNY explore decadence, quarantine, digestion, and lineage at The Exponential Festival.
Just because one can write an opera based on a film, does this necessarily indicate that one should?
The 55th New York Film Festival presented the world premiere of Susan Froemke’s marvelous new documentary The Opera House in a special one-time-only screening at the Metropolitan Opera.
What is surreal, symbolic, and generally mysterious in the dramatic arts can get a bad rap.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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