The winter 2014 final run of the Met’s first/only Rusalka production (a new one is scheduled in a few seasons) seemed both a nod to the theater’s past and a hint of its future.
Gala this; gala that; who knew rich people wore clothes so badly?
Last night’s season premiere of Norma at the Met restored Bellini’s opera to musical and vocal distinction but the dramatic fire was burning only fitfully. Hasmik Papian is a hugely experienced Norma who some consider to be the best contemporary exponent of the role. But the key word here is contemporary not best. Her voice…
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