Bleak house
Karita Mattila’s Ortrud, taut conducting, and a remarkable debut emerge from Richard Jones’s dreary Lohengrin Konzept.
35 pieces since 2010 — in 14 roles, at 10 companies, most often at Bayreuth Festival.
6 pieces as Lohengrin — stats above show all coverage for Klaus Florian Vogt.
View allKarita Mattila’s Ortrud, taut conducting, and a remarkable debut emerge from Richard Jones’s dreary Lohengrin Konzept.
So I just got out of the Lohengrin prima at the ROH and I’m itching to share my thoughts.
This Hans Neuenfels staging for the Bayreuth Festival caused quite a stir at its 2010 premiere, but now, with time and distance, how radical is the production?
Richard Wagner believed the key to any legend was contrasting the supernatural with human nature, and showing how the combination had no chance of enduring. In Lohengrin, the title’s character’s insistence on unconditional love and trust collide with the conditional expectations of the real world. The challenge is capturing the tale’s somber majesty without losing […]
Hans Neuenfels‘ new staging of Lohengrin for Bayreuth is the grimmest version of this work I’ve seen. Not that this opera is all bright lights and lollipops, but he gave us a particularly dark take on the work, motivated, in part, by Wagner’s writings at the time of the opera’s composition.
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