Oh, La traviata, how do I love thee? Let me count the recordings.
I’m certain I wasn’t the only one thrilled to bits to see LA Opera’s production of La Bohème finally retired after 26 years and seven mountings.
Saturday night the Los Angeles Opera threw itself a party.
I entered the Dorothy Chandler Pavilion on Saturday night for LA Opera’s 30 year old revival of their production of Salome with a combination of enthusiasm and apprehension.
Sometimes when you find the club that will have you as a member, you do not easily give up your spot.
Los Angeles saw the first U.S. performance of Giacomo Puccini’s snow-dusted weeper in 1897 just a year after the young Toscanini led the prima in Turin.
Los Angeles first saw Giacomo Puccini’s Madama Butterfly presented at the Mason Opera House downtown in 1908 by the English Grand Opera Company. Rumors that LA Opera Artistic Director Placido Domingo portrayed Cio-Cio San’s little boy in that production remain unsubstantiated.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy. Do Not Sell or Share My Personal Information.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.