Heartbeat Opera’s The Extinctionist — composed by Dan Schlosberg with a libretto by Amanda Quaid — is the first opera, as far as I know, to stage a pap smear.
Heartbeat is, after all, a company that loves to tinker.
Cio-Cio and Carmen: what do you do with two tragic heroines who typify not just the sexist clichés, but also the soupy exotic fixations, of the Old-World West?
The seventeenth-century works of Francisco Cavalli may be easier for modern audiences to accept.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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