Love makes fools of us all – that seems to be the theme of this summer’s Glimmerglass Festival.
Edward Hopper’s paintings from the 1930s and 1940s are simply lousy with windows.
Sir David McVicar’s inept and dreary new production of Bellini’s Norma proved to be more satisfying than it had been on opening night when it returned to the Met Friday evening thanks to its new leading ladies Angela Meade and Jamie Barton
Whatever its flaws, La finta giardinera is indeed a wise rep choice for grad students eager to cut their teeth.
I have found myself truly bewildered by some of the online reviews of the Glimmerglass production of Verdi’s Macbeth.
Don Pasquale is one of those operas that make listeners feel very happy and gay, who, after seeing it, live happily ever after and gayer than before. It’s about a whore who needs to get laid, with an eye on the young (once and still bottom) hunk versus the older (once top, yes you guessed…
Luc Bondy’s Tosca returned to the Met on Wednesday night with an entirely new set of principals and conductor. The new trio of principal singers, all making local role debuts, could not redirect and redesign the production but they could allow their individual talents to outshine their surroundings.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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