Martinu, very dry
Gotham Chamber Opera, which began to operate twelve years ago with a double bill of Bohuslav Martinu’s quirky little pieces, opened its 2014-15 season with two more, Alexandre bis (Alexander, twice) and Comedy on the Bridge.
6 pieces since 2013 — in 4 roles, at 4 companies, most often at Catapult Opera.
Gotham Chamber Opera, which began to operate twelve years ago with a double bill of Bohuslav Martinu’s quirky little pieces, opened its 2014-15 season with two more, Alexandre bis (Alexander, twice) and Comedy on the Bridge.
After two previous productions of Tosca in New York City this season (the Met’s revival of the controversial Luc Bondy version and NYCO Renaissance’s depressingly retrograde take), New Yorkers finally got a pleasing, if rough-edged, performance of the Puccini classic from LoftOpera.
To bring a well-known story to the stage, many methods are available.
John Yohalem reports on Catapult Opera’s satiating San Giovanni Battista
The Met doesn’t have the monopoly on Salome this spring — look no further than Catapult Opera’s San Giovanni Battista which opens in Brooklyn next month.
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