Austin Opera’s 40th anniversary gala celebrated the present while gesturing boldly towards the future.
San Diego Opera’s Pagliacci puts a play within a play within a play.
The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.
Washington National Opera’s final production of the season, seen May 22, is also its high point: a new Turandot directed by Francesca Zambello, updated to the 20th century and featuring the world premiere of a completion of Puccini’s score by composer Christopher Tin and playwright and screenwriter Susan Soon He Stanton.
Is this not Puccini’s greatest opera, his most human, least manipulative?
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