There are fascists at the bottom of our garden
It’s 1938. We know, even if the characters do not, how the story will end.
5 pieces since 2016 — at 1 company, most often at New York City Opera.
It’s 1938. We know, even if the characters do not, how the story will end.
Angels in America reimagined as an actual, full-blown opera.
Antonio Literes, a boy soprano from Majorca, had, we may presume, friends in high places.
You may wonder what Rachmaninoff’s Aleko and Leoncavallo’s Pagliacci have in common.
New York City Opera has officially launched its “renaissance” at Lincoln Center’s Rose Theater last night with a production of Puccini’s Tosca that should please a lot of older, conservative audiences, if not the adventurous operagoers that City Opera courted in the past.
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