House of the setting sun
When a work is named for its lovers one might legitimately expect that pair to dominate its performance but in my experience that is never the case with Debussy’s Pelléas et Mélisande.
8 pieces since 2007 — at 4 companies, most often at Metropolitan Opera.
3 pieces as Metropolitan Opera — stats above show all coverage for John Conklin.
View allWhen a work is named for its lovers one might legitimately expect that pair to dominate its performance but in my experience that is never the case with Debussy’s Pelléas et Mélisande.
As a diehard completist I felt guilty as the Met’s scattered, campy revival of Semiramide lumbered toward its abrupt conclusion after nearly four hours.
Last night’s season premiere of Norma at the Met restored Bellini’s opera to musical and vocal distinction but the dramatic fire was burning only fitfully. Hasmik Papian is a hugely experienced Norma who some consider to be the best contemporary exponent of the role. But the key word here is contemporary not best. Her voice […]
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