Now and at the hour of our death Now and at the hour of our death

This evening of Julius Eastman at Lincoln Center was so good it hurt

Quicksilver messenger Quicksilver messenger

At the Park Avenue Armory, Barbara Hannigan chose to sing works that tested her metal in odd corners of vocalism.

Surfacing: an appreciation in 20 fragments Surfacing: an appreciation in 20 fragments

I struggle to articulate the notion of an erotics of art.

But is it an artful paradox? But is it an artful paradox?

It was a timeout—but maybe it was a timeout we deserved.