Act two
Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.
7 pieces since 2014 — in 5 roles, at 1 company, most often at Metropolitan Opera.
Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.
On this day in 1974 soprano Kiri Te Kanawa made an “emergency” Met debut as Desdemona and her broadcast debut
Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.
Chris’s Cache celebrates an “Easter in October” gala with five special pirate recordings of Cavalleria Rusticana from the Met featuring four prima donnas whose Santuzze never got a Saturday broadcast and one whose did: Giulietta Simionato, Fiorenza Cossotto, Régine Crespin, Rita Hunter and Mignon Dunn.
Patrick Mack looks back on “a great, nay, historic evening,” Renata Scotto‘s 1981 performance of Il trittico, now newly available on Met Opera on Demand.
Anticipating the first new local Aïda in thirty-six years, Chris’s Cache revisits Verdi’s popular opera in four unusually interesting in-house recordings from the Met 1961-1976.
Our Own Jungfer Marianne Leitmetzerin (not pictured) takes us back to the turbulent 1970s at the Met for the spectacular company debut of electrifying Elena Obraztsova as Amneris.
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