I wondered if there truly is a future for opera other than as an overpriced museum piece for an aging audience who likes their sets lavish, their productions non-challenging, and their singers telegenic.
Two productions at the Aix-en-Provence festival shared one look.
The reinvention of Verdi’s masterpiece, La Traviata, as sung by world-famous French coloratura soprano Natalie Dessay, is the subject of Philippe Béziat’s thrilling new movie.
This year, I attended one of Natalie Dessay‘s only fully-sung Traviatas at the Met.
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