Making the trivial triumphant Making the trivial triumphant

On this day in 1978, the Metropolitan Opera presented a new production of Donizetti’s La favorita.

“So much for traditional sweetness and charm” “So much for traditional sweetness and charm”

On this day in 1998 the Metropolitan Opera presented a new production of Le nozze di Figaro featuring Cecilia Bartoli as Susanna.

Beyond the forest Beyond the forest

Mimìs, Violettas, and Cio-Cio-Sans may live, love, and meet their ends without a tear from me, but I have never left a performance of Janácek’s The Cunning Little Vixen dry-eyed.

No saints in two acts No saints in two acts

The cast of Wiener Staatsoper’s first-ever performance of Lulu in 1968 reads like a Who’s Who of then-contemporary Austro-German opera: the 28-year-old Anja Silja, Martha Mödl, Waldemar Kmentt, Hans Hotter, Hilde Konetzni, Manfred Jungwirth, Heinz Zednik, and Karl Böhm presiding over a production by Otto Schenk. 

Forever young Forever young

Perhaps the most admirable project of Dominique Meyer’s Intendanz at Wiener Staatsoper is the traversal of the operas of Leos Janancek,.

Call me Madame Call me Madame

“To play La Pompadour—what a delightful task! To be La Pompadour—what a gruesome fate!”

Opera with a whiskey back

On Friday, April 16th, American Opera Projects and Opera on Tap presented a triple bill of new works at Galapagos Art Space in DUMBO, including what is essentially a pastiche, a collection of songs, and a one act opera. There were highs, there were lows; there was booze and opera in the same room. I…

transfiguration

At very long last, the final act of Tristan und Isolde. Act Three Tristan – Spas Wenkoff, Isolde – Catarina Ligendza, Brangaene – Yvonne Minton, Marke – Karl Ridderbusch, Kurwenal – Donald McIntyre, Melot – Heribert Steinbach, Steuermann – Heinz Feldhoff, Hirte – Heinz Zednik. Carlos Kleiber; Bayreuther Festspiele, 30 July 1976.

Hereinspaziert!

Was seht ihr in den Lust- und Trauerspielen?!Haustiere, die so wohlgesittet fühlen,An blasser Pflanzenkost ihr Mütchen kühlenUnd schwelgen in behaglichem Geplärr,Wie jene andern – unten im Parterre… La Cieca salutes the successful launch of Alex Ross‘s The Rest Is Noise: Listening to the Twentieth Century with a podcast of one of her very favorite operas…