Haus of eternal return
In Nike Wagner’s essay “The Sounding Silence,” the German dramaturge argues that “the longing for deathrepresents the central motif” of her great-grandfather’s opera Tristan und Isolde.
43 pieces since 2011 — in 19 roles, at 6 companies, most often at Metropolitan Opera.
2 pieces as King Marke — stats above show all coverage for Günther Groissböck.
View allIn Nike Wagner’s essay “The Sounding Silence,” the German dramaturge argues that “the longing for deathrepresents the central motif” of her great-grandfather’s opera Tristan und Isolde.
Christine Goerke‘s distracted, tentative Isolde turned out to be the least potent feature of what was an otherwise exciting and effective second act of Tristan.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.