The Italian connection The Italian connection

American Bach brings out the operatic side of Bach in a program featuring sparkling vocal talents.

Variations on salon themes Variations on salon themes

In French opera—until Pelleas et Mélisande anyway—there is always a great deal of dance; often, dance rather than song is the main event.

Brother act Brother act

The Jesi foundation continues its tireless quest of making Pergolesi operas available on video.

When in Rome When in Rome

Giovanni Battista Pergolesi’s only opera for Rome was written to an existing libretto by the great Pietro Metastasio, L’Olimpiade, which had already  been set by Vivaldi the year previously.

Seria business Seria business

La Salustia was Giovanni Batista Pergolesi’s first opera, composed at the tender age of 21. In structure and storyline it’s a conventional baroque opera seria.

Tiny tunes Tiny tunes

Giovanni Battista Pergolesi’s best known opera is La Serva Padrona, but the Neapolitan composer also composed several other works, which are now lovingly presented on video by the Fondazione Pergolesi Spontini at Jesi.

Veni, vidi, Vinci! Veni, vidi, Vinci!

Not only cursed to bear a name nearly identical to that of one of the greatest geniuses who ever lived, Leonardo Vinci also had the misfortune to die just three months after the premiere of his greatest opera, reportedly murdered with a cup of poisoned chocolate at the age of 36.

Citius, Altius, Fortius Citius, Altius, Fortius

Of all the Olympics-related products created to honor the upcoming summer games in London, surely one of the oddest must be a brand new pasticcio just released on a two-CD set by Naïve—L’Olimpiade.

All hell baroque loose

Many American opera-lovers take the “Grand Tour”—a pilgrimage to Europe to attend opera at its great houses—Peter Grimes at the Royal Opera in London or Otello at La Scala in Milan, or perhaps for the more well-heeled a visit to the summer festivals of Glyndebourne, Salzburg or Aix-en-Provence.  

Mind over Mater

It’s Holy Week (as I write) and I just received this new CD from our Doyenne. Good timing. For the concert stage (and the opera house), I think of Pergolesi as essentially a one-hit wonder (each). I won’t pretend to know his opera buffa, La Serva Padrona, let alone hide the fact that I drove right…