Hustle your bustle Hustle your bustle

Opera San José‘s La Traviata has all the buzz and energy of a world premiere.

A favorite Wagner performance from John Yohalem A favorite Wagner performance from John Yohalem

There was that Tristan.

T’amo ancora qual t’amava in basso stato T’amo ancora qual t’amava in basso stato

As this is “Donizetti Month” here on parterre box, Chris’s Cache offers the recently deceased Paul Plishka and Opera Orchestra of New York with Carol Vaness in Anna Bolena and with Mariella Devia in the rarely heard Adelia.

Remember my forgotten soprano Remember my forgotten soprano

This week Chris’s Cache features Maria Chiara, Elena Mauti-Nunziata, Rita Orlandi-Malaspina and Orianna Santunione in L’Amico Fritz, Mefistofele, Simon Boccanegra and La Fanciulla del West, respectively.

Hear the trumpets sound! Hear the trumpets sound!

Frankly I thought Sondra Radvanovsky had reached her pinnacle with her Norma but I was apparently mistaken. I’m happy to say her Turandot is completely next-level.

A dream deferred A dream deferred

In an era when the Metropolitan Opera cannot cast an Aida, Trovatore or Forza consistently, New Amsterdam Opera managed to cast large, attractive and fully technically capable voices in all the cruelly demanding principal roles in I Vespri Siciliani!

The future’s so bright The future’s so bright

For this, the 250th edition of Trove Thursday, [hold for applause] a broadcast of a memorable evening at Carnegie Hall—and I was there: Smetana’s stirring Libuse, the Czech national opera, with a transcendent Gabriela Benackova as its titular prophetess.

Double cross Double cross

“Trove Thursday” offers due local Lombardi: one with Renata Scotto and José Carreras, the other with Aprile Millo and Carlo Bergonzi.

Z to A Z to A

Today’s offering is an electric performance of Verdi’s early potboiler Attila conducted by Giuseppe Sinopoli.

Everytime we say goodbye Everytime we say goodbye

Gather around while I play Ghost of New Year’s Eve past!

Don’t axe me why Don’t axe me why

The Metropolitan Opera’s much vaunted so-called “Tudor Ring” of three royal operas by Donizetti got off to a bumpy start Saturday afternoon with a revival of Anna Bolena that stubbornly refused to cohere either musically or dramatically.

Un Eden di delizia! Un Eden di delizia!

Let’s all listen to the American debut of Ghena Dimitrova in this 1981 performance of Ernani from Dallas.

Wish upon a star Wish upon a star

At what moment does a “rising star” become simply a “star”?

Racing with the moon Racing with the moon

For better or worse, Decca’s new Norma recording will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal.