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Dmitri Tcherniakov’s interpretation of Wagner’s Der Fliegende Höllander presents an engrossing character study about Senta and the Dutchman’s struggles against their insular community’s stifling conformism.
23 pieces since 2011 — in 12 roles, at 12 companies, most often at Bayreuth Festival.
5 pieces as Bayreuth Festival — stats above show all coverage for Georg Zeppenfeld.
View allDmitri Tcherniakov’s interpretation of Wagner’s Der Fliegende Höllander presents an engrossing character study about Senta and the Dutchman’s struggles against their insular community’s stifling conformism.
Jay Scheib’s Augmented-Reality Parsifal is a cautionary reminder that technological innovation shouldn’t absolve directors from the exacting work of deriving intelligent and fascinating theater from the source material.
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
This Hans Neuenfels staging for the Bayreuth Festival caused quite a stir at its 2010 premiere, but now, with time and distance, how radical is the production?
Hans Neuenfels‘ new staging of Lohengrin for Bayreuth is the grimmest version of this work I’ve seen. Not that this opera is all bright lights and lollipops, but he gave us a particularly dark take on the work, motivated, in part, by Wagner’s writings at the time of the opera’s composition.
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