Die Frist ist Glum
This Holländer offers neither a clear narrative vision for the work nor a sense of turbocharged drama; it simply sits on the Met’s cavernous stage as a dull gray mass.
17 pieces since 2014 — in 14 roles, at 4 companies, most often at Metropolitan Opera.
1 piece as Mary — stats above show all coverage for Eve Gigliotti.
View allThis Holländer offers neither a clear narrative vision for the work nor a sense of turbocharged drama; it simply sits on the Met’s cavernous stage as a dull gray mass.
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