Sweet prince
South African Jacques Imbrailo’s high-lying baritone did much to highlight the lyrical possibilities of the title role of Hamlet, originally conceived for a tenor.
13 pieces since 2006 — in 4 roles, at 4 companies, most often at New York City Opera.
1 piece as Ophelie — stats above show all coverage for Elizabeth Futral.
View allSouth African Jacques Imbrailo’s high-lying baritone did much to highlight the lyrical possibilities of the title role of Hamlet, originally conceived for a tenor.
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