La folle journée d’Antoine
But pressing questions remains: Why? Who is this Figaro for?
3 pieces since 2016 — at 3 companies, most often at Yale Baroque Opera Project.
But pressing questions remains: Why? Who is this Figaro for?
If it didn’t all work, it wouldn’t work at all.
The seventeenth-century works of Francisco Cavalli may be easier for modern audiences to accept.
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