High and dry High and dry

Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.

The scorned mother of us all The scorned mother of us all

Seeing Sondra Radvanovsky as Medea at Lyric Opera of Chicago sprawled across the floor, soaked in her children’s blood, is proof that we’re witnessing an utterly haunting singer-actor.

How do you solve a problem like ‘Medea’? How do you solve a problem like ‘Medea’?

Sondra Radvanovsky has an unconventional voice that is suited to unconventional characters and is best used in rangy, difficult music.  The lack of lush beauty was no deficit in depicting Medea’s jealousy and vengeful rage.