My blue ‘Evan’
No uneasy stock market or rickety roller coaster has generated more stomach-churning highs and lows than the musical Dear Evan Hansen.
6 pieces since 2013 — at 3 companies, most often at Chicago Lyric Opera.
No uneasy stock market or rickety roller coaster has generated more stomach-churning highs and lows than the musical Dear Evan Hansen.
Kevin Newbury‘s familiar production of Bellini’s Norma with its most frequent leading lady, the American Sondra Radvanovsky.
Radvanovsky delivered a vocal and histrionic performance that should be the gold standard Norma for years.
A semi-staging of Dido and Aeneas starring Broadway divas and frequent collaborators Kelli O’Hara and Victoria Clark seemed a screwy idea at best.
There was a certain frisson in the air entering Chicago Lyric Opera last night, and not just in anticipation of attending the world premiere of a new work by Jimmy Lopez (music) and Nilo Cruz (libretto), Bel Canto.
After Heart of a Soldier, The Perfect American, The Gospel According to Mary Magdalene, et al., the premiere of Theodore Morrison’s Oscar in Santa Fe last Saturday came as a welcome relief.
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