Spain and neutered
Ainadamar never quite found its identity between the two poles of conceptual and concrete.
24 pieces since 2012 — in 18 roles, at 10 companies, most often at San Francisco Opera.
3 pieces as Metropolitan Opera — stats above show all coverage for Daniela Mack.
View allAinadamar never quite found its identity between the two poles of conceptual and concrete.
Only connect! So sayeth E.M. Forster (via Margaret Wilcox) in Howard’s End.
So, how excited are you to read another piece about the Mary Zimmerman Rusalka?
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