<em>Contes</em> stop won’t stop <em>Contes</em> stop won’t stop

Juan Diego Flórez and Damiano Michieletto concoct an absinthe-fueled fever dream in a new DVD from The Royal Ballet and Opera and Opusarte.

Museum quality Museum quality

Opera Philadelphia’s Il viaggio a Reims in a nutshell: Hyperactive, confusing, and distracting from (and sometimes for) the singers? Yes. Imaginative, wildly entertaining, and musically rewarding? Absolutely.

Canonically ossified Canonically ossified

When such a canonically ossified work like Verdi’s Aïda is directed at all (let alone as ambitiously as Damiano Michieletto at the Maggio Musicale Fiorentino), it does feel like a completely different opera

Not an asset to the abbey Not an asset to the abbey

Francesco Filidei’s new opera The Name of the Rose struggles to bridge the past and the present in Milan