Fast and furious
A 1984 performance of Handel’s Orlando with Marilyn Horne, Valerie Masterson, Marvis Martin, Jeffery Gall and Robert Lloyd, conducted by Charles Mackerras.
38 pieces since 2009 — at 10 companies, most often at San Francisco Opera.
A 1984 performance of Handel’s Orlando with Marilyn Horne, Valerie Masterson, Marvis Martin, Jeffery Gall and Robert Lloyd, conducted by Charles Mackerras.
This week “Trove Thursday” brings a rare in-house recording of a visit to the Metropolitan Opera House by the Staatsoper Hamburg presenting Stravinsky’s The Rake’s Progress with a deluxe cast
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
The winter 2014 final run of the Met’s first/only Rusalka production (a new one is scheduled in a few seasons) seemed both a nod to the theater’s past and a hint of its future.
I’m a long-time fan of the Opera in English series funded by The Peter Moores Foundation that started, fittingly enough, with conductor Reginald Goodall’s performances of Wagner’s Ring cycle recorded live from the London Coliseum and released by EMI
Jungfer Marianne Leitmetzerin notes: while this performance of Janácek’s Jenufafeatures the same three principal singers from the legendary Carnegie Hall concert of 1988, the fact that it is a staged performance raises the temperature even higher.
The Met stage was filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.
For better or worse, Decca’s new Norma recording will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal.
My mother asked me once, whilst staring aghast at my CD collection, why I needed so many copies of Don Giovanni.
The operas of Leos Janácek have been slowly gaining ground in the world’s theatres over the past fifty years.
It’s hard to think of a rare work by a great composer more tailor-made for a twenty-first century reexamination than Mozart’s Il Sogno di Scipione.
Nicholas Hytner’s much-travelled and well received 1985 production of George Frideric Handel’s 1738 opera Xerxes has been released on DVD from Arthaus Musik, in a performance recorded live from the English National Opera in 1988.
The Australian conductor and authority on the operas of Janácek and Mozart died earlier today in London. He was 84.
Among the “auditions” that have come flooding in from the cher public are reviews of three very different productions of Don Giovanni. Your doyenne has taken the liberty of combining the three critiques into a single posting, but she urges you to remember, remember well the names of the authors of this troika of treatises.
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