21 pieces since 2010 — in 10 roles, at 10 companies, most often at Bayreuth Festival.
1 piece as Iphigenia — stats above show all coverage for Camilla Nylund.
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When Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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