No such Gluck
When Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.
21 pieces since 2010 — in 10 roles, at 10 companies, most often at Bayreuth Festival.
1 piece as Iphigenia — stats above show all coverage for Camilla Nylund.
View allWhen Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.
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