Brazilian brass lift Brazilian brass lift

The past seems to be in conversation with the present.

The ephemeral feminine The ephemeral feminine

It’s debated whether Lili Boulanger’s Faust et Hélène, clocking in at only about 30 minutes, can be considered a cantata, a one-act opera, or a “lyric episode.”

The key of dreams The key of dreams

My sister Julie celebrates an important birthday later this month which reminded me—as I also recalled I visiting her while she was living in Prague—that I should unearth Bohuslav Martin?’s Julietta with Lucia Popp and Dénes Gulyás for this week’s Trove Thursday.

Sturm and/or drang Sturm and/or drang

My attempt at garnering some attention for forgotten and ignored Czech operas hasn’t exactly been a success.

Crime of “Passion” Crime of “Passion”

Bohuslav Martinu’s The Greek Passion has had a rough life.

Martinu, very dry Martinu, very dry

Gotham Chamber Opera, which began to operate twelve years ago with a double bill of Bohuslav Martinu’s quirky little pieces, opened its 2014-15 season with two more, Alexandre bis (Alexander, twice) and Comedy on the Bridge.